I'm rethinking the third work where I proposed to artificially incorporate both a reference to a previous Municipal exhibition and respond to the given frame work of this group exhibition. But I realise that the synthetic binding and unhinging is already present in the form of the ceramic spiral. I hope it both simulates a devising for something to emerge and anticipates a being out of date (surplus of production process), creating a hole in time. It doesn't add anything when I'm using this as a metaphor for a way of working with the given framework. I think that the proposition should have better been formulated as an observation, while the newly painted walls, the blinded windows, lowered ceilings, and false walls together hide any sense of joining or juxtaposition of planes, inside and outside. No visible plug sockets or ventilation shafts. The cloud of paint. The lighting system to create a diffused light and blurry yellow spotlights. The ambulatory walk.
The 'third' work, provisionally titled 'la Pierre' should create some air in the installation, which I imagine to be filled with a dense light and an occasional sound track, which sound something like grrrr... klabeng.
(still don't know how to embed a video)
grrr..... klabeng
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